![]() ![]() This has happened before.Īs always, they are trying to convince the mass public that Magalong is of the communist terrorist element due to his stance on activism being, you know, activism and not inherently a crime or communist in nature and protecting the youth in particular who partake in student activism. ![]() It should be obvious why I am reluctant to give this any more column space than I already have – we have discussed this matter over and over and over ad nauseam, ad infinitum.Īs always, the culprit is local disinformation purveyor SMNI, with Quiboloy, Badoy, and “Ka Eric” being the ones pointing red fingers at Magalong. One of the headlines of this week is Baguio Mayor Benjamin Magalong being red-tagged once more. Most impressive.Ī few other stories – Bokod elders are objecting to the operation of the Ambuklao dam over claims of insufficient compensation, and Benguet State Uni opening up a new campus, among others that you can read in This Week’s Issue of the Baguio Chronicle™. There are no pre-recorded images and no computerised images used in the installation.Out of the city, we have some interesting data – 10 towns in the Cordillera region had 0 crimes last year. This creates dynamic real-time images and sounds in "conversation" with the visitors or performers. 4 video cameras, 4 video projectors, 2 video mixers and an audio mixer are used to initiate a massive feedback loop of video-video, video-audio, audio-video and audio to audio. Essentially, the system uses video and audio feedback to create sounds (from images and movements) and images (from sounds and movements). Infinitum Ad Nauseam, Tokyo (2000) - The project is a video/audio performance installation which requires the explicit participation of the audience. There are no pre-recorded images and no computerised images used in the performance. Impromptu / Infinitum Ad Nauseam, Tokyo Metropolitan Museum of Photography, 2000 using video to create sound and sound to create video.creating complex responsive systems using simple technology.the circular, iterative nature of 'conversation'.the unstable equilibriums of video and audio feedback.the audience as 'performer' - the role of the audience in an artwork.Infinitum Ad Nauseam, IAMAS, 2000Īll images and sounds come from within the system itself – that is from the movements and sounds of the performer and from the idiosyncracies of the hardware used. The basic idea of the installation is to use video feedback, audio feedback, video-audio feedback and audio-video feedback to create a performance of dynamic real-time images which develop a “conversation” with the performer. Changing Faces of Gesture / Infinitum Ad Nauseam, Hillside Gallery, Tokyo, 2000 The images are affected both by sounds and movements – in one implementation, the audience may be used as part of the performance, too. ![]() The installation consists of multiple video cameras and projectors which allow dancers and performers to interact in realtime with images and sounds created by the system. An interactive audio/video projection system for choreographed and improvised dance performances, exhibited at IAMAS, the Tokyo Metrolpolitan Museum of Photography and the Hillside Gallery, Tokyo. ![]()
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